I'm probably one of the few people who played and enjoyed ThruSpace, a downloadable title on Wii. The game is a unique puzzle game where you're given Tetris-like shapes that zoom down corridors and you're tasked with spinning them to fit through holes in walls in your path. Sounds wacky and very Japanese, but the mechanics were fun and the sleek post-Lumines aesthetic worked well. Although it's pretty easy to get through levels just by fitting the piece through the holes, the real fun comes from moving and rotating the piece multiple times to cover the entire hole, earning a "trick" that nets you many more points and a multiplier, if you can manage to sustain it.

I've been looking forward to playing its sequel, Ketzal’s Corridors (aka SpeedThru: Potzol’s Puzzle) on 3DS ever since I finished ThruSpace, but have only gotten around to it now. At its core Ketzal’s Corridors is pretty much the same game as ThruSpace, but with many notable enhancements. The most obvious one is that the game trades in the sleek and minimalistic design of the original for a cool Aztec-inspired design instead. There's a minimal story involving a good and a bad deity yadda yadda, but the trappings actually help improve the gameplay because rather than each game piece being made up of simple blocks, instead they've shaped them to look like animals. This should help newbies more quickly get a handle on how the three game pieces in the main game rotate, although this is most apparent for the three unlockable larger game pieces which go a step further and are made up of three colors rather than just one.

The stereoscopic 3D of the 3DS is ideal for this game, and enhances the gameplay. There are new modes, including multiplayer modes, one of which you can play with two people on the same 3DS (one person using the left side of the controls and the other person using the right side). The scoring system is much improved in that tricks are scored in a more logical way. The game is structured so that each of the three main pieces is featured on three maps. The maps have the same layout, and there are a variety of regular stages where you have to get through a set number of walls (some of which have moving hazards you'll have to avoid that will slow you down if you bump into them), as well as endless modes, modes where you're just required to rotate the shapes without steering, and stages that feature larger, more unusually shaped pieces. Each stage has requirements for earning bronze, silver, and gold medals, and on top of that in the regular stages you can also earn extra recognition for obtaining every heart and not missing any tricks (i.e. getting a full combo).

I'm happy to be able to report that Ketzal’s Corridors really fulfills the promise of its predecessor and provides almost everything you'd want from a sequel. The game has a new coat of paint, new modes, new challenges, and tons of replayability in the form of medals to earn. The game does have one downside compared to the original, though, which is that since the 3DS has less buttons than the Wii controller you can only rotate right and not left. Even aside from this, the game just misses making it to my favorite games of all time list. Much as I enjoyed it, it's not quite as epic a puzzler as the best of them, but I'll definitely be trying for more gold medals and I'm definitely hoping that there are more sequels to further explore the fun core gameplay.

Speed through these Ketzal’s Corridors links:
- Launch trailer
- Entry on Metacritic
- Review at NintendoLife
- Entry on Wikipedia

I recently posted about the Power Pros Podcast, which I'm a fan of, and the main guy regularly gushes about the Shantae games. I'd had mixed feelings about the original game on Game Boy Color when I'd played it a few years ago, as I'd enjoyed it but had found a number of parts of it to be pretty rough, including the amount of backtracking due to a clunky warp system. I've been overdue for checking out the next game in the series, but Power Pros helped give me the necessary push.

Shantae: Risky's Revenge was originally released on DSi, but is now available on a host of platforms, including Steam, 3DS, and Wii U. The later releases were given a "Director's Cut" which added warp points and a hard mode after you beat the main game. I'm happy to say that the second game does succeed in fulfilling the promise of the first and is better in pretty much every way. As you'd expect from WayForward, the pixel graphics are top notch, and the game is extremely polished throughout. The controls are great, and the environments are distinct.

The game starts off with the most confusing areas at the beginning, which is a town and a forest that you navigate by jumping to the background or foreground, like in the Virtual Boy Wario Land game and Guardian Heroes on Sega Saturn. For the most part progression through the rest of the game is pretty straightforward, although the map does take a bit of getting used to. Oddly enough, Risky's Revenge is more limited in scope than the original, but this is no doubt due to the size limitations of downloadable DSi titles. The gameplay is pretty much the same as the first game, but everything is more focused and polished. There are only a few dungeons, but they're much more interesting and memorable. There are only three transformations (only one of which is new), but they're still a lot of fun. Special weapon items use up a magic gauge instead of being expendable as in the first game, so they're more usable and more fun. The special weapons definitely help, as the game is more challenging than you'd expect just based on its visuals. I don't know about the original version of the game, but the warp system in this Director's Cut version works perfectly well, and fixes the travel-related tediousness of the first game.

The colorful cast and entertaining story and main character tie everything together, and although I was a bit skeptical even after I'd gotten pretty far into the game, in the end I was won over by Shantae and company and would have to rank this as one of the best games I've played in a while. I'm looking forward to playing the next two games in the series, so much so that I went ahead and pre-ordered the deluxe version of the latest game, Shantae: Half-Genie Hero for Nintendo Switch. It comes with the three DLC, which should be a fun to check out as well.

More hair-whipping hijinks with these Shantae: Risky's Revenge - Director's Cut links:
- As before, the Shantae wikia is a great resource
- Review at NintendoLife
- Entry on Steam

I've fallen a bit behind on posting, and the reason is pretty clear: I've been playing Xenoblade Chronicles. The game is massive. I've been playing the Wii version, which was released in North America in 2012 after a big fan campaign, and it was subsequently released on New Nintendo 3DS a few years ago.

I'm usually not the biggest RPG player, but I've been getting more into them recently. Maybe the slower pace is becoming more appealing in my advanced years, or maybe it's just that they provide a marked contrast to the quick and easy pick up 'n play mechanics of the majority of smartphone games. Xenoblade Chronicles is definitely the complete opposite, and is ginormous, with hours upon hours of gameplay just in the main story mode, and double or even triple that if you get into the sidequests. With RPGs I almost always have to force myself to slog through to the end, and nowadays with more limited free time I just stop when I feel like I've seen everything there is to see and can't bring myself to traipse through yet another dungeon with more random battles. This usually translates to about 20 to 30 hours into a game, and is even true for RPGs with engaging characters and high production values, like Bravely Default, which I played earlier this year.

So it came as a surprise to me that I enjoyed Xenoblade Chronicles as much as I did. The game's Executive Director, Tetsuya Takahashi is clearly a kindred spirit of Masahiro Sakurai, the director of the Smash Bros. games, in that they both clearly eschew the "less is more" design philosophy and instead stuff their games with so much content that they're overflowing. Xenoblade Chronicles doesn't just have a large cast of playable characters (several with unique battle mechanics) and a huge number of locations and a lengthy story, but it has a huge number of sidequests and NPCs, enemy drops, and unique-looking weapons and armor (all of which are shown on your characters and in cut scenes). The sheer number of weapons and armor would be one thing, but having them visually change your character's appearance is no mean feat. Similarly, the huge number of sidequests would be impressive enough, but some are mutually exclusive or lead to alternate sidequests and most also have unique dialogue if you happen to have a certain member in your party at the time you take it on. Also, the large cast of NPCs is impressive, but most of them have multi-stage quests that develop their relationships with other NPCs. The relationships are tracked in the "affinity chart", which is somewhat like the Bomber's notebook from Majora's Mask but times 100. These relationships help bring the world to life, and help elevate what are otherwise fairly standard MMORPG-like quests.

I enjoyed the vastness of the game and the characters, although the story didn't particularly grab me. Many of the locales are the usual environments, e.g. plains, jungle, cave, etc., but there were enough more unique ones to keep me engaged. Being a Fire Emblem nut, I enjoyed tracking down the "heart-to-hearts", which are the game's version of support conversations between playable characters that are accessible after the pair reaches a certain level of friendship. The plot develops at a pretty good pace, so much so that I was still surprised by the game some 50 hours into it. I would be more inclined to finish the game if I weren't such a completist, as the game includes timed quests which expire after a certain point in the game. I've gotten to a point where a lot of those quests are going to become unavailable, which means I would have to stop and pour a fair amount of time into sidequests, so rather than continue I'm going to put the game on hold and move on to the sequels. Sidequests in general tend to be overly tedious as they often involve rare enemy drops (a monsterpedia would definitely have helped), or finding some NPC who you probably only talked to once. For someone who avoids consulting FAQs this is a big pain, although less OCD people will have less of a problem.

Xenoblade Chronicles does suffer visually from being on the technically limited Wii and I wasn't a huge fan of the character art style, but from what I've experienced of the follow-up on Wii U it's clear that the developers made great use of the Wii U's increased capabilities. I'd played Monolith Soft's previous RPG Baten Kaitos on GameCube and a lot of the aesthetics of Xenoblade Chronicles reminded me of that game. This isn't a bad thing, but the later Xenoblade games seem to have a more unique look to them.

Much as I enjoyed my time with Xenoblade Chronicles, it didn't quite make it to my list of greatest games of all time. It's the biggest RPG I've ever played, and if ever a game deserved the description "epic", Xenoblade Chronicles is one. I liked it more than Breath of the Wild, a similarly vast and open adventure game, and I had more than a few moments where I was wowed, but I didn't find myself quite loving it enough to give it the gold star. I can see why it makes other people's greatest games of all time lists, though, as it's huge, has a fun battle system, and is stuffed with secrets and details and hours and hours of gameplay. Still, I've definitely become a Xenoblade fan, and I'm looking forward to delving deeper into the game's follow-up on Wii U.

Check out these epic Xenoblade Chronicles links:
- The wiki (xenoblade.wikia.com) is a fantastic resource, although, of course, be wary of spoilers
- Official trailer
- Entry on Wikipedia
- Review at NintendoLife
- Nice set of live performances of the game's music posted at the time of the New 3DS version's release
- A great-looking artbook for the game was released in Japan, and a video of someone flipping through it can be found here.
- The game was released in a special edition that also included a 20-page promotional art book, some scans of which can be found on Siliconera here.

Apparently it's been three years since I played through Pushmo World on Wii U, and I've been itching to check out the final installment in the series (thus far, anyway), called Stretchmo, on 3DS. Stretchmo (aka Fullbox) is ostensibly "free to play", but in reality it's even more limited than Mario Run; the free part is basically just a tutorial on the basic mechanics. The game is sold in pieces, but basically three of the four areas have the same gameplay, just varying levels of difficulty. The fourth is a little different as it features enemies that move around the stage, giving the game a little bit more of a platformer feel, although the emphasis is still on puzzle solving as opposed to platforming dexterity. Buying any of the four areas unlocks the workshop where you can create your own stages or scan in QR codes of other people's creations, and completing every stage in all four areas unlocks an extra 50 stages.

The core Stretchmo gameplay is a logical extension to the core Pushmo gameplay, and so is an easy recommendation for fans of any of the other games in the series. The Stretchmo gimmick is that you can pull blocks out in all four directions instead of just forward, and although that sounds like it could make things complicated, it actually works extremely well. The task of climbing to the top of each stage makes for a clear goal, and although at the highest levels of difficulty you have to view the stage from all four sides, the difficulty curve is extremely smooth. In the main mode you can skip a stage if you get stuck, whereas in the other modes you're presented with ten stages at a time and you only need to complete five of them to unlock the next batch.

The music and aesthetics are all basically the same as the previous games, but they're still charming so no complaints there. There is some significant slowdown in the larger stages, but otherwise everything controls just fine. I ended up playing all of the first area and dipped into the other parts of the game, and overall I found this to be a great continuation of the series. The gameplay is every bit as satisfying as the other games in the series, and it probably edges out Crashmo in terms of its easy to understand yet deviously mind-bending puzzles. It's hard to imagine where the series would go from here, and I would hope that this game forms the end of a trilogy (albeit a fantastic one) and that Intelligent Systems branches out more for any future games featuring Mallo and friends. In the meantime I'll definitely be returning to this game and its predecessors when I get that craving for more pushing and pulling blocks action.

Stretch your mind with these Stretchmo links:
- Awesome fan-created levels based on Super Mario 64 levels
- eShop trailer
- Review at NintendoLife

Just a quick post since I'm in the midst of a really long game. I'm not a big fan of podcasts in general, but I came across the Power Pros podcast not too long ago and I've become a regular listener. The podcast is Nintendo-centric and is the brain child of Chris "The Hoff" Hoffman, a former Nintendo Power editor, and Chris Slate, a former Nintendo Power editor-in-chief. Along with news and game impressions, in each episode the hosts also discuss a "big topic", such as all-time favorite Zelda games. I ended up liking the podcast so much that (perennially OCD list-maker that I am) I started the Power Pros Podcast Wiki a few week ago. The wiki aims to provide a timeline summary of each episode, and I've been keeping up with the latest episodes as well as going back to the old episodes starting from the beginning. I've been able to do a few episodes a week, although there are some 131 episodes in total so it will take me a while to catch up completely. It's been fun though, and I'm looking forward to continuing this ongoing side project. Feel free to check out both the podcast and the wiki. Enjoy!